A conceptual photo essay of supply shortage of carbon dioxide .

In today's world, we often take for granted the availability of everyday products, assuming an endless supply of resources and raw materials to create them. However, recent events, such as the COVID-19 pandemic, have highlighted the fragility of our supply chains and the impact of shortages on various industries. Throughout history, shortages have been a recurring theme, shaping economies and industries in different ways.
Transitioning from my previous series, "Beyond the Blue Sea," which delved into the effects of supply shortages on color film and Aquamarine pigment, I have since focused my attention on the scarcity of carbonated water.In February and March this year -carbonated water, a ubiquitous beverage enjoyed by many, produced by infusing water with carbon dioxide. The history of carbonated water dates back to the late 18th century when pioneers like Thomas Henry and J. J. Schweppe developed methods for its large-scale production.
Carbon dioxide, the key component in carbonating water, is not just a contributor to the beverage's effervescence but also a significant greenhouse gas. Sources of carbon dioxide emissions range from the burning of fossil fuels to natural processes like volcanic eruptions and decomposing of animals Interestingly, the oceans play a crucial role in absorbing a portion of the carbon dioxide released into the atmosphere.
The recent shortage of carbonated water due to a lack of carbon dioxide supply in Australia highlights the interconnectedness of production processes and the impact of global supply chain disruptions. With only two major suppliers of carbon dioxide in the country, interruptions in the local sources and international freight issues have led to a scarcity of carbonated water on the east coast of Australia.
During my exploration of the carbonated water production process, I was fascinated by the simplicity of infusing water with carbon dioxide and the crucial role this greenhouse gas plays in creating the beverage we often take for granted. This newfound knowledge has also made me reflect on the challenges of addressing our energy needs in a sustainable manner.
While there is no perfect solution to meeting our energy demands, every action we take carries the potential for both positive and negative consequences. As we navigate through supply shortages and environmental concerns, it is essential to consider the long-term effects of our decisions on both the industry and the planet.
In conclusion, the shortage of carbonated water and carbon dioxide serves as a reminder of the delicate balance within our supply chains and the need for greater awareness and research on sustainable production processes. By understanding the complexities of these shortages and seeking innovative solutions, we can work towards a more resilient and environmentally-conscious future across all industries.
The series Co2 is a series of in camera double exposures developed using carbonated water, charcoal (instead of coal) and weeds collected at the power station instead of the traditional toxic and hazoudous chemicals.The series is and exploration in understanding carbon dioxide.

verdigris Tree-exploring the colour green

I’ve become fascinated with the history of how colour is produced for  both film and painting since learning about the limited supply of colour film  (I am still waiting for an order of colour film I placed in May)  and certain pigments particularly ultramarine which inspired the creation of beyond the sea an ongoing series of digitally painted photos.  Whether it is a limit of raw materials or a supply issue I’m not entirely sure though  it has sparked an interest and i’ve been doing lots of experimenting and research and have lots more ideas using light, dyes inks and pigments.

Verdigris Tree is an exploration into the history of the colour green. The production of the colour green has a fascinating history and all sorts of toxic materials were used initially including arsenic to create different hues of green. Another e ne of the original green pigments was also made from  the oxidisation of copper when it turns green. The  transformation of this process interested me and   prompted me to create this piece  I documented the change of colour  with this amazing product that transforms into the beautiful verdigris green  over a few minutes and of course made a video to accompany the image which can be viewed by viewing the image of Verdigis Tree on a computer and viewing the QR code on your phone which will bring up the instagram filter effect that is activated by the image of of the Verdigris Tree to view the video.

..  The piece was initially created for the  theme renew for a group exhibition – which didn’t actually transpire as I got the cut off dates wrong and missed the deadline. I did however enter it into the photo access art prize .

I’ve created a few other pieces inspired by colours and pigments currently using natural dyes and inks . I’m currently enjoying going with the flow and discovering and experimenting and learning while creating

Beyond the Sea- An augmented reality photo encaustic series.

 Beyond the Sea, is an ongoing series of digitally painted  black and white seascapes.Coated with a mixture of beeswax and tree resin -known as encaustic. Giving them luxurious, textured finish

With in each   photo I have  digitally painted the water with different hues of the illustrious pigment, ultramarine.As a lover of art and history, I am fascinated by the origins of paint ,Ultramarine  was traditionally made by grinding down lapis lazuli and derives its name from the Latin Ultramarinus which means  ‘Beyond the Sea’. – Hence the title of the series

During Covid pandemic ultramarine blue became a precious commodity with a limited supply and obtaining blue paint at the time was difficult. This as well as the shortage of Raw materials to produce colour photographic film and the difficulty of buying highlighted to me the state our resources are in and inspired me to create this series . I intentionally chose to display this captivating colour bl;ue in a digital form, showcasing its rarity and significance.

Beyond the Sea showcases the beauty of nature and the remarkable history of a prized pigment combined with  thought-provoking images which intend to stimulate and educate, instilling a desire for safeguarding and reverence of our planet’s wonders 

The Photos also activate an augmented reality filter which displays a 3 Dimensional layered animation I made with poetry composed by artificial intelligence.

To view the augmented reality filter : Use a computer to display Photo of Leave the Light On and scan the QRcode below with your phone to use the filter from my Instagram.View the Photo come to life through your phone.

To see more of Beyond the Sea series of Augmented Reality Encaustic photos they are currently being exhibited at Bourvardia Cocktail Bar Melbourne till the end of June.

Favourite Digital Photographs of 2022

Before I Share my favourite colour film photographs I took last year I thought I would do a post of my digital photographs particularly photos I created in response to 52 Frames a great weekly photography challenge I discovered last year .

I’ve attempted a few 52 week challenges over the years and have never succeeded this one was no different however i did get to 38 weeks before forgetting to do the photo and not continuing on.

I only realised when going through the photos to upload how many black and White Photos I took for the challenges . I’ve also added the theme

I’ve always enjoyed responding to briefs both professionally and with personal photography projects. However this year between work and focussing on creating a more cohesive portfolio and series of images I’m not committing to anything more than a post a week on here. You can also find me on instagram if you want to see more.

Favourite Black and White Film Photos 2022.

I am beginning the Year with my first post of 2023 on my neglected website by sharing 10 of my favourite black and white film photos i took in 2022.

I got back into film photography in 2021 and i enjoy experimenting with different techniques particularly double exposure , I develop the black and white film at home. I also shoot colour as well and may try and develop it at home too.I hope to create a portfolio of images either for an exhibition or a book this year.

I will also be updating my website and hope to post at least once a week and engage more in the community.

Looking forward to the year ahead.

Zoe xo

Sunday Stills

This weeks Sundays Still Challenge is a colour focussing on the colours quartz and diamond.

I have a few crystals I have collected over the years and was fortunate enough to find a crystal vein on our property years ago and collected alot of quartz crystals which unfortunately i have since misplaced.

Though as quartz and diamonds are mainly translucent and sparkly I’ve used images ive taken with my crystal ball using it as a lens to see through rather than focussing on its colour.

The crystal Ball causes refraction and turns the World up side Down

And because i feel i have gone completely of topic I have also included a moving image I took of my crystal ball and a tree with my 3D – 35mm camera which has 3 different lenses that simultaneously capture 3 different images of 3 different perspectives of the subject and when combined appear 3d.

Have a great week everyone

Sunday Stills Challenge #daylight Black and white.

I’m participating in Terri’s Sunday Still Challenge. This week is Daylight- Black and White.

Here in Australia it is Autumn. The days are getting shorter although the weather is still quite warm and people are still out enjoying the beach.

I actually took these photos this week for a 52 Week Project I am doing . This week the theme was “activity” after being unsuccessful capturing anything all week I returned to the beach yesterday and captured a few people engaged in different activities during the last few hours of daylight.