Dust to Dust- From the Series We Are Star Dust

It is a mind-boggling realization that we are composed of the same materials that make up stars, planets, and galaxiesThe revelation of our cosmic connection dawned upon me during a time of personal loss and contemplation. After the passing of my father, I found solace in observing and documenting the decomposition of flowers, witnessing the cycle of life and death. As I watched these once vibrant blooms wither away, I couldn’t help but contemplate the impermanence of life and the intricate web of existence.Through documenting the natural process of decay, I experienced a profound sense of catharsis, a release of emotions that allowed me to confront my grief. It was in these moments of reflection that I realized our physical bodies are not confined to this earthly realm but are intrinsically linked to the vast cosmos. We are part of a grand tapestry, connected to everything around us.Motivated by this personal experience, I embarked on a quest for a deeper understanding of our existence. Drawn to the ideas of reincarnation and rebirth, I delved into ancient philosophies and modern scientific theories that shed light on the nature of our being. It is fascinating to consider the possibility that our individual atoms and elements are recycled and redistributed throughout the universe, giving rise to new life forms and experiences.At the core of this concept lies the understanding that every atom in our bodies was once part of a star, forged in the fiery depths of stellar nurseries. These atoms, the building blocks of life, have journeyed through time and space, coming together to form the intricate biological systems that allow us to exist. In a very literal sense, we are made of stardust.

In twilight’s embrace, where dreams softly entwine,
I’ll paint you a portrait, a tale so divine.
Where flowers, once vibrant, now wither and decay,
As stars, like tears, fall, in celestial array.
 
In the realm of blossoms, where life dances free,
Petals bloom in colors, as sweet as can be.
But time weaves its threads, fate’s cruel, restless gust,
And innocence, like flowers, fades into dust.
 
The velvety rose, once blood red and flame,
Now whispers of longing and forgotten name.
Its petals, once fragrant, now crumble and fall,
As stars, teardrops glisten, in night’s cosmic sprawl.
 
Oh, witness the floral tapestry’s descent,
As nature exhales, its fleeting lament.
Each petal a memory, delicate and frail,
As stars, shimmering crystals, begin to exhale.
 
Gone is the splendor, the garden’s grand array,
Yet artistry flourishes in this grand decay.
For as flowers decompose, returning to earth,
The essence of beauty is granted rebirth.
 
And whilst stars shed their teardrops, in mournful delight,
Human hearts gather courage, their souls taking flight.
For within this fleeting beauty, we find solace and trust,
In this dance of decay, where the cosmos adjusts.
 
So, let the flowers wither, let stars continue to weep,
We’ll embrace their transformation, our sorrows shall keep.
For in this juxtaposition, where beauty meets despair,
Our souls are awakened, by the tapestry we wear.
 

A conceptual photo essay of supply shortage of carbon dioxide .

In today's world, we often take for granted the availability of everyday products, assuming an endless supply of resources and raw materials to create them. However, recent events, such as the COVID-19 pandemic, have highlighted the fragility of our supply chains and the impact of shortages on various industries. Throughout history, shortages have been a recurring theme, shaping economies and industries in different ways.
Transitioning from my previous series, "Beyond the Blue Sea," which delved into the effects of supply shortages on color film and Aquamarine pigment, I have since focused my attention on the scarcity of carbonated water.In February and March this year -carbonated water, a ubiquitous beverage enjoyed by many, produced by infusing water with carbon dioxide. The history of carbonated water dates back to the late 18th century when pioneers like Thomas Henry and J. J. Schweppe developed methods for its large-scale production.
Carbon dioxide, the key component in carbonating water, is not just a contributor to the beverage's effervescence but also a significant greenhouse gas. Sources of carbon dioxide emissions range from the burning of fossil fuels to natural processes like volcanic eruptions and decomposing of animals Interestingly, the oceans play a crucial role in absorbing a portion of the carbon dioxide released into the atmosphere.
The recent shortage of carbonated water due to a lack of carbon dioxide supply in Australia highlights the interconnectedness of production processes and the impact of global supply chain disruptions. With only two major suppliers of carbon dioxide in the country, interruptions in the local sources and international freight issues have led to a scarcity of carbonated water on the east coast of Australia.
During my exploration of the carbonated water production process, I was fascinated by the simplicity of infusing water with carbon dioxide and the crucial role this greenhouse gas plays in creating the beverage we often take for granted. This newfound knowledge has also made me reflect on the challenges of addressing our energy needs in a sustainable manner.
While there is no perfect solution to meeting our energy demands, every action we take carries the potential for both positive and negative consequences. As we navigate through supply shortages and environmental concerns, it is essential to consider the long-term effects of our decisions on both the industry and the planet.
In conclusion, the shortage of carbonated water and carbon dioxide serves as a reminder of the delicate balance within our supply chains and the need for greater awareness and research on sustainable production processes. By understanding the complexities of these shortages and seeking innovative solutions, we can work towards a more resilient and environmentally-conscious future across all industries.
The series Co2 is a series of in camera double exposures developed using carbonated water, charcoal (instead of coal) and weeds collected at the power station instead of the traditional toxic and hazoudous chemicals.The series is and exploration in understanding carbon dioxide.

verdigris Tree-exploring the colour green

I’ve become fascinated with the history of how colour is produced for  both film and painting since learning about the limited supply of colour film  (I am still waiting for an order of colour film I placed in May)  and certain pigments particularly ultramarine which inspired the creation of beyond the sea an ongoing series of digitally painted photos.  Whether it is a limit of raw materials or a supply issue I’m not entirely sure though  it has sparked an interest and i’ve been doing lots of experimenting and research and have lots more ideas using light, dyes inks and pigments.

Verdigris Tree is an exploration into the history of the colour green. The production of the colour green has a fascinating history and all sorts of toxic materials were used initially including arsenic to create different hues of green. Another e ne of the original green pigments was also made from  the oxidisation of copper when it turns green. The  transformation of this process interested me and   prompted me to create this piece  I documented the change of colour  with this amazing product that transforms into the beautiful verdigris green  over a few minutes and of course made a video to accompany the image which can be viewed by viewing the image of Verdigis Tree on a computer and viewing the QR code on your phone which will bring up the instagram filter effect that is activated by the image of of the Verdigris Tree to view the video.

..  The piece was initially created for the  theme renew for a group exhibition – which didn’t actually transpire as I got the cut off dates wrong and missed the deadline. I did however enter it into the photo access art prize .

I’ve created a few other pieces inspired by colours and pigments currently using natural dyes and inks . I’m currently enjoying going with the flow and discovering and experimenting and learning while creating

Beyond the Sea- An augmented reality photo encaustic series.

 Beyond the Sea, is an ongoing series of digitally painted  black and white seascapes.Coated with a mixture of beeswax and tree resin -known as encaustic. Giving them luxurious, textured finish

With in each   photo I have  digitally painted the water with different hues of the illustrious pigment, ultramarine.As a lover of art and history, I am fascinated by the origins of paint ,Ultramarine  was traditionally made by grinding down lapis lazuli and derives its name from the Latin Ultramarinus which means  ‘Beyond the Sea’. – Hence the title of the series

During Covid pandemic ultramarine blue became a precious commodity with a limited supply and obtaining blue paint at the time was difficult. This as well as the shortage of Raw materials to produce colour photographic film and the difficulty of buying highlighted to me the state our resources are in and inspired me to create this series . I intentionally chose to display this captivating colour bl;ue in a digital form, showcasing its rarity and significance.

Beyond the Sea showcases the beauty of nature and the remarkable history of a prized pigment combined with  thought-provoking images which intend to stimulate and educate, instilling a desire for safeguarding and reverence of our planet’s wonders 

The Photos also activate an augmented reality filter which displays a 3 Dimensional layered animation I made with poetry composed by artificial intelligence.

To view the augmented reality filter : Use a computer to display Photo of Leave the Light On and scan the QRcode below with your phone to use the filter from my Instagram.View the Photo come to life through your phone.

To see more of Beyond the Sea series of Augmented Reality Encaustic photos they are currently being exhibited at Bourvardia Cocktail Bar Melbourne till the end of June.

Sunday Stills

This weeks Sundays Still Challenge is a colour focussing on the colours quartz and diamond.

I have a few crystals I have collected over the years and was fortunate enough to find a crystal vein on our property years ago and collected alot of quartz crystals which unfortunately i have since misplaced.

Though as quartz and diamonds are mainly translucent and sparkly I’ve used images ive taken with my crystal ball using it as a lens to see through rather than focussing on its colour.

The crystal Ball causes refraction and turns the World up side Down

And because i feel i have gone completely of topic I have also included a moving image I took of my crystal ball and a tree with my 3D – 35mm camera which has 3 different lenses that simultaneously capture 3 different images of 3 different perspectives of the subject and when combined appear 3d.

Have a great week everyone

Odds and Ends-

It’s been so long since I’ve uploaded anything on here though I thought i would make an appearence by contributing to the lens Artist- #189 odds and ends challenge hosted by Tina.

This week the theme is “Odds and Ends” Initially I was going to include photos from a folder on my computer titled “random things” which is mainly lots of photos of random objects and photographic responses to briefs and themes I have done over the years.

Then I remembered a project I started while doing a short course on building a photographic portfolio last year . I was initially inspired by minimal landscape photos that I had taken over the years and used the word unclutter to link them all together. I then explored and documented my quest to be a minimalist and unclutter my home. I had been motivated by a statement I read from a minimalist book that stated that “we can be just as content with a photo of the object, than the object itself”.

I had planned to photograph all my odds and ends before I threw them out and then make a conceptual response to this project . I did do lots of uncluttering and took lots of photos and made some videos (which i’ll upload below of more odds and ends). I did however lack motivation as areas I uncluttered became cluttered again . Though i will revisit it more in the future .

Here is a selection of odds and ends i took which remind me of their existence. Am I sad I no longer have them , No they weren’t valuable as such just nostalgic so its nice to have an image to remind me.

I also made a few timelapse videos of the process of uncluttering odds and ends. This one is suggesting how images of minimalist landscapes can assist with the motivation of uncluttering .

https://vimeo.com/manage/videos/687048845

Captive Horizon

Its been weeks since the travelling restrictions have been lifted In Melbourne and We finally have freedom again. Initially Melbourne metro was under a strict 5km radius restriction due to COVID 19. I created a lot of photographic projects and did lots of learning during lockdown and when Melbourne’s restrictions eased to 25km radius on 19th October I investigated our 25km radius and realised that over half is  water as we live on a Peninsula. I was fascinated that the vast expanse of water was untouchable unless by boat or swimming and it was illegal for me to explore. The shoreline had become a border to contain us.

I was inspired to create a photographic response to this new law and decided to photograph the water at the beaches on the Mornington Peninsula within my 25km radius .

Though I find these water horizon shots soothing I’ve never shared them in the past unless they have a interesting feature like a boat or other unique feature to identify them.  I got out of my comfort zone and shot many for this project though also included boats and markers as I found them irresistible. 

Every day I went to a different beach starting at the PortPhillip Bay side and extending to the ocean and Western Port and in no particular order captured the horizon and water and added them to the evolving photograph of a digital collage of the Peninsula. 

Without the restrictions I wouldn’t have been motivated to do this project. The project eased the waiting of the restrictions being lifted and also served as an excuse to explore the area more. 21days and 21 photos later I created the A moving image of all the photos

To celebrate the restriction being lifted I printed the photograph and went to a beach outside my 25km and captured a photo of the photo aligned with the horizon And water in background .